Wordstock: Portland’s Book Festival

Portland’s premier book festival features more than 100 authors every November.

wordstock-megangex-literaryartsWordstock, Portland's literary festival, takes over downtown's South Park Blocks every November.
Megan Gex for Literary Arts

When 8,500 people descended on the Portland Art Museum for the  revived Wordstock Book Festival in 2015, the message to its new organizer, Literary Arts, was clear: Portlanders love to get their read on, and Wordstock — missing in action for more than two years — had not been forgotten.

Founded in 2005 by local writer Larry Colton, the annual festival always featured an impressive lineup of local and national authors and a book fair. But Wordstock’s original incarnation, held at the expansive Oregon Convention Center through–2013, wasn’t quite the “metaphorical public square” that Literary Arts Executive Director Andrew Proctor, the festival’s new leader, had in mind.

Enter the Portland Art Museum. As the rebooted Wordstock’s primary venue, the museum provides a backdrop for art, history and culture to merge with conversation, books and ideas. With Literary Arts at the helm, the festival is now condensed into a robust one-day event (with partner events, including a “Lit Crawl,” taking place throughout the weekend). The fest is packed with on-stage author conversations, interviews, panels, interactive Q + A’s, pop-up readings in galleries, teaching workshops, kids’ story times, live music, an expanded book fair and — in true Portland fashion — food trucks parked outside.

In short, Wordstock’s new iteration celebrates contemporary literature in a way that feels, well, contemporary.

“When you think of Portland’s profile, it’s a cool town with great food and wine and people who love to read and are serious about the arts,” says Proctor. “The idea that you can have a festival of books and ideas that’s incredibly fun to be at, all distilled into downtown with a huge book fair and an entire museum, for [the ticket price of] $15 — this is something that could only happen in Portland.”

Wordstock 2017

Big names in literature, along with local favorites, grace the stage at this year’s Wordstock, returning Nov. 11, 2017, to the Portland Art Museum. The powerhouse program includes 103 authors, representing more than a dozen genres. Headliners include Ta-Nehisi Coates, whose bestseller Between the World and Me was a 2016 Pulitzer Prize finalist. Jeffrey Eugenides, author of the 2002 Pulitzer prize-winning novel Middlesex, will be there with his new anthology, Fresh Complaint.

The lineup is also packed with celebrated Portland authors. These include Oregon Book Award-winner Lidia Yuknavitch (The Chronology of Water) , Rene Denfeld (The Enchanted), Nicole J. Georges (Fetch and Invincible Summer) and illustrator-author duo Colin​ ​Meloy​ and Carson​ ​Ellis​ (Wildwood Chronicles). Children’s author Lemony Snicket will also be in attendance, as will Guardian cartoonist Tom Gauld with his new “best-of” humorist collection, Baking with Kafka.

For an additional fee, budding authors can hone their writing skills at one of 15 writing workshops. Offerings include “Mining the Darkness for Light,” a humorous essay class taught by Live Wire Radio veteran Courtney Hameister. Back Fence PDX alum Mindy Nettifee will also teach a class: “Strengthen Your Core: Storytelling for Meaning and Impact.” Whether you’re a casual book worm or a literary master, this year’s lineup promises to be a best seller.

Since attendance numbers in 2015 exceeded all expectations, Literary Arts doubled Wordstock’s seating capacity with six new venue partners in the South Park Blocks: The Old Church, Oregon Historical SocietyNorthwest Film Center and at Portland’5 Centers for the Arts’ Brunish Theatre, Winningstad Theatre and Arlene Schnitzer Concert Hall. More time was built between events, so guests weren’t forced to leave one stage early in order to rush to the next. That’s not to say you were guaranteed to see everything and everyone  — crowds and lines are an inevitable part of a successful festival. But, as Proctor pointed out, the possibility of missing one event opens the door for catching another.

“Part of the value of the festival is you’re going to have an opportunity to discover so many different things that you didn’t expect to see,” he says. “That’s really exciting.”

Wordstock 2017 events


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