Jason Boland And The Stragglers with Elaina Kay

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When
Thursday, July 30, 2020
9 p.m.
Where
635 N Killingsworth Ct
Portland, OR 97217

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20th Anniversary Tour from Oklahoma/Texas emotive red-dirt country group.

Jason Boland And The Stragglers

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Music is having a moment. Listeners are crying out for something true––some meaty songs that’ll give us some comfort, even as they cut closer to the bone.

Everyone is finally ready for the gritty, thundering country Jason Boland and the Stragglers have sharpened over almost 20+ years’ worth of selling out roomy venues and commanding stages across the nation.

“We’re just trying to make something that we’re proud of,” lead songwriter and vocalist Boland says. “If any more people want to take notice of it, they’re welcome.”

Since coming together in Stillwater, Oklahoma, Boland and his tight knit crew have sold more than half a million albums independently and earned a devoted following that’s swelled far beyond the band’s red dirt roots. At a Stragglers show, oil patch roughnecks, hippies, college kids, and intelligentsia all sway side-by-side like a traveling reincarnation of Austin’s Armadillo World Headquarters in its cosmic cowboy, Willie Nelson heyday.

Elaina Kay

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“In the last few years, I’ve grown so much,” Elaina Kay says. She’s home in Texas, reflecting on the relentless writing, playing, and touring that has culminated in her swaggering debut album Issues. “I’m not that small-town ranch girl anymore,” she says, then with a smirk, she adds, “I run with the boys.”

Kay talks like she writes: defiant but vulnerable, hopeful but wry. Her new album wraps all those occasionally opposing forces in Kay’s countrified rock-and-roll to create a modern portrait of steely femininity that’s sad, funny, and ultimately, inspiring. “I don’t want to be a victim,” she says.

Produced by Paul Cauthen and engineered by Jeff Saenz, the new album was recorded at Modern Electric in Dallas. Backed by The Texas Gentlemen, Kay’s moody soprano slides from breathy storytelling to golden-era country songbirding and back again, nuanced and captivating. She wrote or co-wrote seven of the eight tracks, and the result is a layered collection that is both starkly personal and intensely relatable.