PAINT (of Allah Las) + Jared Mattson + Palmiyeler

Southwest
This event has passed. Sorry you missed it!
When
Sunday, Sept. 26, 2021
8 p.m.
Cost: $12
Where
Jack London Revue
529 SW 4th Ave; Portland

The following description was submitted by the event organizer.

Having first made his mark as a songwriter and guitarist for Los Angeles’ Allah-Las, Pedrum Siadatian has etched out a place of his own with his solo work as PAINT. This year sees PAINT returning with the release of the ambitious Spiritual Vegas. While Ray Davies-smirks and Kevin Ayers-wit abound, Siadatian’s singular touch is unmistakable. Joined once again by producer/engineer Frank Maston at the helm, Spiritual Vegas features a rogue’s gallery of players with performances by Jackson Macintosh (TOPS, Sheer Agony) on bass and guitar, Nick Murray (White Fence, Oh Sees) on drums, and brothers-in-Las Spencer Dunham and Matt Correia on bass and percussion respectively.

Palmiyeler invites you for a drink by wavy beaches where you can enjoy their fun-psych-surf-pop sounds with serious lyrics darken by Istanbul’s genuine chaos. Founded as an Istanbul-based garage rock trio comprised of lead vocalist/guitarist Mertcan Mertbilek, bassist Tarık Töre, and drummer Rana Uludağ. Recorded their debut 'Palmiyeler EP' in 2013 and released on vinyl and all digital platforms in 2015. After the release guitarist/keyboardist Barış Konyalı joined the band. They spent time touring, making videos and recording the next album.

“Hosono and Cornelius and Panda Bear had a love child and his name was Jared Mattson” is what new touring bandmate and collaborator Tony Peppers said of Jared Mattson’s demo tapes for his forthcoming 2022 solo release, Peanut. As the pandemic wrecking ball drama loomed over the music industry, amidst the covid lockdowns and consumed jaunt as a twin assemblage Mattson 2, Jared took to developing his own solo compositions in his casita in the hills of San Diego with drum machines, synths, a P-Bass, and his Stratocaster inspired by the newfound domestic solitude and necessity to keep busy at his work in order to stay alive. What resulted is a tape-saturated, bizarre blend of psychedelic guitar, reggae induced city pop.