Young, Gifted and Brown Fosters Community Through Dance in Portland

Y.G.B. aims to create healing spaces for Black and Brown Portlanders.

Updated Apr. 30, 2020 4 min read

Ellen Freeman

Breathable air, a lack of hustle, front porches — these are some of the qualities that attract people to Portland. When Young, Gifted and Brown ( Y.G.B.) co-founder Natalie Figueroa moved to Portland from Chicago almost a decade ago, it was the local custom of thanking the bus driver that won her over.

But there was one surprising thing she missed from her hometown: “Pockets of community.” In Chicago, she could go to a specific neighborhood and be immersed in the Mexican-American culture she grew up with.

I was trying to give people the full experience of feeling loved and welcome.
Natalie Figueroa

“But in Portland, my friends and I couldn’t find spaces full of Black and Brown people that felt welcoming and open,” Figueroa explains. The solution? “Make the space instead of waiting for someone to make it.” And Figueroa decided to start on the dance floor.

The Creation of Young, Gifted and Brown Portland

In July 2015, Figueroa and Vaughn Kimmons (another Portland-via-Chicago creative) teamed up with Renée Lopez (of Miss Lopez Media) and resident DJ Lamar Leroy to host their first event at Killingsworth Dynasty. The group styled themselves as Y.G.B. — Young, Gifted and Brown — playing off Nina Simone’s song To Be Young, Gifted and Black.

From bathrooms filled with candy to handmade thank-you notes, every detail of Y.G.B.’s first party was intentional. “I was trying to give people the full experience of feeling loved and welcome,” says Figueroa. “Y.G.B. creates healing spaces for Black and Brown people. When you say ‘healing space,’ a lot of folks think of a therapy room or a spa. But dancing together to beats that have been deeply ingrained in our humanity is healing; it gives us our humanity back when every other part of this world wants to take it from us. Music is the medicine.”

There’s this whimsy about the city that lets you be you. For a long time, it seemed like that was only available for white people — but now a lot of people of color are like, ‘I want that whimsy too!
Natalie Figueroa

The effect was powerful: a reliably groovy live music night with stage time and fellowship for musicians of color, which helped cultivate a fertile ecosystem for creation. Kimmons says that in Y.G.B. she found “the space to share the creativity I was stifling,” and connected with Andre Burgos, now her partner in soulful duo Brown Calculus.

“Y.G.B. helped me to tap into a community that was less concerned with retracing a template for how a genre or art form should be approached,” says Burgos, “and more concerned with collaboration, pushing the boundaries, personal expression and communal growth.”

areal view of market stalls in the parking lot of a large building — The summer 2018 My People’s Market event took place at the Rose Quarter Commons. Photo by Ashley Anderson.

The Mission of Y.G.B. Portland

At the core of Y.G.B.’s message is a rejection of the narrative of Portland as an all-white city, a stereotype that Figueroa and Y.G.B. collaborator RaShaunda Brooks view as an erasure of the city’s marginalized but longstanding Black, Latinx, Asian and Indigenous communities.

“That [characterization] undermines the people who are here,” says Brooks. Instead, says Figueroa, “let’s talk about why it is that you don’t see them. Let’s talk about how they got erased. We contribute to that narrative if we don’t work to build community together.”

a diverse group of people laughing together — A group of friends attends the second My People’s Market in June 2018. Photo by Ashley Anderson.

Y.G.B. Today

Now several years in, Y.G.B. has continued to expand its efforts throughout the city. In 2017, they collaborated with Deep Under Ground to run Young Gifted Artists, which brought art education to youth during the summertime free lunch program at McCoy Park, located in North Portland’s New Columbia, the largest public housing project in Oregon. The following year, Y.G.B. helped make sure displaced artists got paid through the “Art Saved My Life” residency. Lastly, in addition to hosting regular events throughout Portland (which you can find on their events page), Y.G.B. curates the music for Portland’s biannual multicultural bazaar My People’s Market.

Through a diasporic cultural exchange project between Portland and Chicago’s music scenes, Y.G.B. is exposing local artists (including neo-soul crooner Amenta Abioto, hip-hop performance artist Ripley Snell and R&B darling Blossom) to larger markets — and in turn showing Chicago musicians that Portland’s music scene is more diverse than they might imagine.

“There’s so much more space for hip-hop, electronic music, DJ culture — things that when I moved here, I couldn’t find,” says Figueroa. “There are all of these young Black and Brown people who are coming home to Portland because they got pushed out and bringing with them all their talent and music, and also an influx of Black and Brown artists moving here. They’re seeking the same thing everybody wants from Portland: all the good vibes. There’s this whimsy about the city that lets you be you. For a long time, it seemed like that was only available for white people — but now a lot of people of color are like, ‘I want that whimsy too!’”

African American, Cultural Communities, Dance, Music